Inspirations and Mentors

In the next couple of posts, I will introduce you to people, the magic mentors that have inspired me to become a better performer. You’ll meet people who have offered advice, or acted by example, to help develop and direct my career as a magician.

Some of them are alive, some have passed on and some were alive before I was born. By reading classic books and magazines I have stories about their life and performances that inspired and influenced me. They are mostly magicians but also a movie director and Karate masters.

Joro Magician

Magic Mentors – Joro

We will start with Joro (Bruno Hennig). Joro was born Oct 1928. He was working at a bank and part-time as a magician. He has published multiple articles in magic magazines and has invented effects that are still used by professionals worldwide today. The dancing cork and the card in the box. Here a clip the famous Dutch magician Fred Kaps performing one his effects on TV.

In the lecture, Joro highlighted to focus on a handful of effects and perform them over and over again and develop your own way of doing the effect. It took me a long time to put this advice into action. But today, almost 25 years later I can say that it was exactly what I needed at the time.

I believe that Joro has influenced hundreds of magicians in Germany with his style and thinking and I would highly recommend reading his books on his stage show and other effects as well as his book on the cups and balls. Unfortunately, they are only published in German.

I met Joro at 3 magic lecture at the Magic Hands magic shop in the mid-’80s. I was lucky that this shop was about 45 min car ride away from my home town. Joro, despite the fact he performed part-time, was never an amateur. He had a very interactive stage show that had been honed in hundreds of shows. The lecture came for me at a time where I consumed a lot of magic. I read books, bought effects and I was chasing alway the latest trick on the market.

References:
http://www.zauber-pedia.de/index.php?title=Joro
Kleines Becherspiel-Kompendium, Coesfeld 1999
Das Joro-Buch – Verlag: sic, 1993, 1. Auflage, 18×25, 192 Seiten

magician Singapore Bangkok event

Performance at event in Bangkok

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Magic show in Bangkok

Event: Feb 27 – Regional Sales Awards – Qiagen
Venue: Renaissance Hotel Bangkok
Package: Close Up & Stage Show

Last week I performed a magic show in Bangkok at my clients’ regional Sales Award dinner. The audience consisted of about 200 guests from countries in Asia, Australia, the UK, and the United States. I performed close-up magic during the cocktail hour and later a stage show. A fun show, with a terrific audience at a nice location. I love what I do.

Magic Show Corporate Event

Still Eating Cards

Event: Dec 7 – Corporate Xmas Party – Heidrick & Struggles
Venue: Grand Hyatt – Party Room
Package: Close-Up & Personal Show

Last weekend I performed at my residency at the Heidrick & Struggles Xmas Party. The new party room at the Hyatt is a great venue for parties and events. Below some pictures from the performance.

For information regarding the Close-Up & Personal Show click here.

Halloween Magic

Halloween Magic at Lulu’s Lounge

Event: Oct 27 Club Performance –
Venue:  – Lulu’s Lounge
Package: Close Up Magic & MC to introduce late night acts

Lulu’s Lounge hosted a special event for Halloween called the Carnival of the Absurd. I was hired to do roving magic and to introduce the burlesque acts. Below some snapshots from the event.

 

Roving Magician venues

What are the types of venues and events that can make use of a Roving Magician?

Last week I performed close up magic at 3 different events and each of them was set up differently.

The first engagement was a performance for Givenchy at Bar Rouge. It was basically a cocktail event leading up to the launch of a new product. The client asked me to involve some of their items into the performance. I created an effect using a make-up container inside which a freely selected card appeared. Typically for an event like this is that the magician works for small groups of people and the performance is usually about 5 minutes. The performance does not require any setup and it is ideal for events where the show is not a highlight but an addon to support the theme.

The second engagement was a performance at an award dinner at the Marriott Hotel. I was hired to perform in between the 4-course dinner. The difference to the cocktail event before is that one can cover more guests in the same period of time. At a banquet each table seats on average 10 people. In an hour, about 6-7 tables can be covered which means one performer can be used for 120-140 guests. The performer is also able to do a complete mini act of 8-10 minutes for each table, which give the guests a feeling of a personalized performance.

The last engagement was at a restaurant at Chijmes. The dinner was held in a private room at the restaurant. I was engaged to perform a formal 30-minute close-up after-dinner show for an audience of about 50 guests. Usually, the performance takes place after the main course or dessert. This type of show requires more planning but in my opinion, it is the most memorable option of all.

magic convention

Magic Convention – How magicians improve their skills

The question I am asked the most, apart from how did you do that, is how did you learn your craft and how do you improve your skill.

Like with any other business, there are conventions. There you can attend lectures held by famous or not so famous magicians, there are shows and usually exhibits that shows the latest and the greatest trick.

Personally, I don’t go very often because of the focus on tricks and sales. I believe improvement comes from doing as many performances as you can and analyzing what went well and sometimes what went wrong.

Every now and then there is a magic convention that goes off the beaten track. Earlier this year I signed up for a convention/lectures in Madrid Spain. What drew me to it was the fact that it was limited to 15 participants. It is called Campus Magico.

They had 6 teachers and the focus was on the way magic is approached in Spain. There were lectures about the history of Spanish Magic, lessons in active theatre and mime, storytelling and others.  Each lecturer did a full day seminar with various exercises.

The location was about 30 km outside Madrid in a beautiful farmhouse. There was nothing around to distract your attention, so full focus on the lectures and exercises was guaranteed.

What I liked best is that I didn’t learn a single effect but improved on the ones I do already. Furthermore it was great to meet other performers from the UK, Germany, Spain, Canada and the US. I hope to be back next year

 

event magician

Event Entertainment Roving Magic

Event Entertainment Roving Magic

When it comes to event entertainment roving magic, also called strolling magic, close-up walk around or sometimes street magic seems to be a very popular option for cocktail events, private or corporate dinner parties.

What are the advantages of a roving magician?

Your guests will socialize better because magic is a great conversation starter. People that don’t know each other will talk about what they have just seen. It is also a good way to get different groups together.

Your guests are given the opportunity to socialize, not just to see a performance.  Unlike a stand-up show or illusion show roving magic does not interrupt the flow of the event. It doesn’t require the attention of the entire audience but only of the group that is currently involved in the presentation.

The performance is personlized and your guests will have more fun getting their own show. Usually the magic happens in their hands.

There is no additional costs for a stage, lights and sound equipment. Roving magic can be done almost anywhere, under almost any conditions.

Finally it is possible to customize the effects to involve for example your company name and logo or message. For private events e.g. birthday parties or anniversaries a message can be included leaving the main person or couple with unique souvenir.

FAQ

How long is a performance? Typically 5-10 minutes per group

How many people can be you perform for? As a ballpark, at a cocktail event about 40-50 people can be covered in one hour. At a sit down dinner (tables of 1o) about 60-70 per hour

Can this also be used for a small group of 5-20 people? I would recommend to do a close-up show of about 25 minutes for the entire group.

Below are pictures taken at a recent performance. It was required to perform during the cocktail hour and later at the dinner in between courses.

event entertainment roving magic